Shinobi Stalin puts the O-zone on the Top

Orlando’s underground scene has always had its share of standouts, but few carry the weight and respect that Shinobi Stalin commands. A lyrical technician and one of the original Mutant Emcees, Shinobi has been carving his own path for years—long before streaming stats and social media clout became the measure of an artist’s worth. His latest joint, “Top of the Game,” feels like both a victory lap and a reminder that he never left the front line.

Shinobi’s story starts with authenticity. Born in the Bronx and raised in Orlando, he embodies two hip hop worlds—the gritty DNA of New York and the hustle of Florida’s underground. That mix shows in every verse: sharp, deliberate, confident. His flow isn’t chasing trends; it’s built from experience. On “Top of the Game,” produced by Traj P, he raps like a man who’s seen the work pay off. The track hits with classic boom-bap precision, but the energy feels brand new—focused, hungry, grounded in purpose.

This year has been a major one for him. Melodic Playground Magazine caught the wave early, featuring Shinobi in their summer issue with a profile that highlighted not just his lyricism, but his impact on Florida’s indie hip hop movement. Since that feature dropped, his presence has grown even stronger. DJ Meladik, the magazine’s founder has nominated Shinobi for Artist of the Year in the upcoming Melodic Playground Indie Music Awards. It’s a well-earned nod for a rapper who’s been putting in years of real groundwork—releasing music independently, mentoring younger artists, and staying true to the craft when so many chase shortcuts.

DJ Meladik clearly recognizes that dedication. He’s already secured a brand-new Shinobi track for the upcoming 2026 Mutant Emcee Mixtape, a project that’s shaping up to be a major statement for the movement. The Mutant Emcee family—founded on the idea of evolution through lyricism and originality—has always pushed hip hop toward its raw, unapologetic core. Shinobi was there in the early days helping define that energy, and now, years later, he’s still pushing it forward, stamping the legacy.

What makes Shinobi stand out isn’t just the bars—it’s the balance. He’s intellectual without being preachy, grimy without forcing the image, soulful without softening the edge. That duality is rare, and it’s what gives “Top of the Game” its punch. The song feels earned, not declared. You can hear the grind in every syllable.

As the nomination buzz builds and anticipation grows for the Mutant Emcee tape, Shinobi remains locked in. He’s not chasing trends or radio formulas—he’s crafting culture. That’s why listeners connect with him. He sounds like the cousin who’s been through it, the friend who’s seen both the highs and the lows, the artist who’s not afraid to speak truth in rhythm.

If hip hop still values integrity, storytelling, and style that evolves without compromise, then Shinobi Stalin represents the gold standard. Just check out his Bandcamp Page,..  He’s carrying the same torch he lit years ago, but it burns brighter now—powered by experience, community, and a movement that refuses to fade. “Top of the Game” isn’t just a title; it’s a statement of fact.... the O-Zone is on Top of the Game!

Drazmatik remixed by Stan Da Man

The wait is over. After years of waiting for the world to get over their Hip Pop phase, Mutant Emcee Radio is back on the air, devoted to shining light on the real DJ's and MC's the mainstream refused to accept. While the industry was catering to the fake song stealers of the game, Mutant Emcee was breeding an unapologetic, and unfiltered culture ready to fight the bots of tomorrow.

As Vice President of Melodic Playground, it is both my honor and responsibility to help usher in this new era of hip-hop culture — not just as a witness, and spokeswoman but also a beacon of light to millions of Mutants, outcasts, and black sheeps seeking refuge from the mainstream influencers and watered down industry. 

Today Mutant Emcee Radio activated a fleet of east coast soldiers to perform an underground gem that deserves the spotlight: The “Driven (Remix)” by Drazmatic, presented by Eastern Standard Time Records, produced by the legendary Stan the Man, and featuring a line-up that reads like a cipher straight out of hip-hop heaven.

This isn’t just a track. It’s a masterpiece

The “Driven (Remix)” pulls no punches. It’s an anthem for the overlooked, the overqualified, and the underplayed. Anchored by Drazmatic, a lyrical technician with razor-sharp cadence and uncompromising integrity, this remix feels like a throwback and a prophecy rolled into one. Drazmatic doesn’t come alone — he brings with him a cadre of elite spitters: Pacewon, Q-Bon, Confucius, TruWerdz, Killah Cal, Quiet, and the turntable wizardry of DJ Jay-Ski. Each artist brings their own sonic mutation to the track, creating a seven-headed beast of wordplay, style, and presence.

Let’s be clear: this isn’t about nostalgia — it’s about renaissance. Hip-hop is not dead. It’s just been evolving in plain sight, buried beneath algorithms and plastic playlists. But not anymore.

At Mutant Emcee, we believe in spotlighting artists who push the boundaries of lyricism and represent the DNA of true emceeing. We don’t care if the industry forgot them — we remember, and we don't care if the mainstream ignored them, we heard the truth and  we’re broadcasting their brilliance worldwide. Every emcee on “Driven (Remix)” embodies that ethos. Whether it’s Pacewon’s battle-tested flows from the legendary Outsidaz camp, Killah Cal’s commanding voice out of D.C., or Confucius’s reflective bars rooted in street wisdom and scholarship — this is the sound of hip-hop evolved.

But the return of this single isn’t just a one-time spin. We’re adding “Driven (Remix)” to two major pillars of our reborn platform:

1. Mutant Emcee Radio – 24 Hour Broadcast
   This track now plays on a station devoted to underground hip-hop, 24/7. Expect to hear it on regular rotation, mixed and championed by the incomparable DJ Meladik, who’s been holding it down for the culture since day one.

2. Mutant Emcee Takeover – Daily Hour on Melodic Playground Radio
   Melodic Playground Radio now devotes one hour a day dedicated to the Mutant Emcee Takeover... nothing but raw, uncut underground fire. "Driven (Remix)" is officially part of this lineup and sets the tone for everything that follows.

We don’t just play records — we set standards. And this record challenges the globe to raise the bar. If you’re an emcee, this is your measuring stick. If you’re a fan, this is your reminder: the real is alive and thriving.

To Drazmatic and every artist on this remix — welcome to the Mutant Family. You’ve just joined a movement bigger than music. You’ve aligned yourself with a culture that refuses to fade, that lives in cyphers, lives in crates, and now lives again — on the airwaves.

The Mutant Emcee Renaissance is here. And if this track is any indication, the future of hip-hop just grew claws, fangs, and a mic cord.

Reminding em about Am i Am : The Combine

Nearly 15 years ago, the original Mutant Emcee project showcased a lineup of forward-thinking artists who embodied the essence of hip-hop. Among those names was AMiAM, an Orlando-based emcee who has since cemented his place as a powerhouse in the underground hip-hop scene. Today, we shine the Mutant Spotlight on AMiAM, celebrating his journey from a promising lyricist to an undeniable force in the culture.

AMiAM, born Alfredo Rodriguez II, first gained recognition as a member of Vets of Kin, an elite collective of emcees and producers pushing the boundaries of independent hip-hop. His style, defined by sharp lyricism and an unwavering dedication to authentic storytelling, has made him a standout voice in Orlando’s hip-hop landscape and beyond.

One of the defining moments in AMiAM’s career came with the release of "The Combine"—a project that encapsulates his raw artistry, clever wordplay, and deep-rooted passion for the craft. With guest apperances from Mutant Mygrane Mcnastee and even legendary names like Rah Digga and Young Zee, "The Combine" wasn’t just another underground release; it was a statement—a declaration of skill, perseverance, and hunger. The project resonated with fans and critics alike, solidifying his position as an emcee to watch.

But AMiAM’s journey didn’t stop there. Over the years, he has collaborated with hip-hop luminaries, shared stages with pioneers, and continued to drop music that stays true to the essence of the culture. His 2011 mixtape "Legend", featuring remixes with artists like Styles P and Talib Kweli, further showcased his ability to hold his own alongside some of the best in the game. Tracks like "Springtime" with Kristen Warren further displayed his versatility, proving that his artistry extends beyond just bars—it’s about crafting timeless music.

Fast-forward to today, and AMiAM has evolved into one of the most respected names in Orlando’s underground circuit. His name carries weight, not just because of his tenure in the game but because of his consistency, integrity, and dedication to pushing hip-hop forward. His contributions continue to inspire the next generation of artists, reminding them that longevity in hip-hop isn’t just about hot singles—it’s about staying true to your voice and the culture.

As we honor AMiAM in this Mutant Spotlight, we also recognize his legacy in the Mutant Emcee movement. What started as a feature on the original Mutant Emcee project has turned into a legacy of resilience, creativity, and passion for hip-hop. Nearly 15 years later, he remains a staple in the underground, proving that real emcees never fade—they only sharpen their craft.

Stay tuned for more from AMiAM as he continues to push boundaries and represent the essence of true hip-hop. The Mutant Emcee movement salutes one of its own—an artist who has remained authentic, driven, and unapologetically hip-hop.

#MutantSpotlight #AMiAM #MutantEmcee #TheCombine #VetsOfKin #RealHipHopLives

Shinobi Stalin & Tek the Intern

The underground never sleeps, and neither does Shinobi Stalin. A decade after lacing the original Mutant Emcee mixtape with his signature sound over a decade ago, Stalin is still at it and this time he team up with Tek the Intern to drop Scumbag Jazz: An Exercise in Spontaneity, a project that embodies raw, unfiltered hip-hop energy. This release is a testament to the power of unchained creativity, delivering beats and bars straight from the soul with no compromise.

For those already familiar with Stalin’s craft, this project is a reminder that he’s still operating at an elite level. His intricate wordplay, commanding presence, and effortless ability to weave storytelling with sharp social commentary remain intact. Teaming up with Tek the Intern, the two create a sonic landscape that is both unpredictable and immersive—an experiment in jazz-infused boom-bap that captures the spirit of spontaneity right in its title.

Scumbag Jazz isn't just another underground project—it’s an experience. The production swings from grimy, dusty loops to avant-garde jazz textures, creating a rich, dynamic soundscape. Tek the Intern orchestrates the chaos beautifully, laying down beats that feel like they could’ve been ripped from a late-night jam session in a smoke-filled backroom, while Stalin rides each track with the finesse of a veteran emcee who has nothing to prove but everything to say.

For the Mutant Emcee Network, this release is a full-circle moment. Shinobi Stalin’s contributions to the movement have been undeniable, and his consistency in delivering high-caliber hip-hop speaks volumes about his dedication to the craft. Whether you’re a longtime supporter or a new listener, Scumbag Jazz serves as a crucial reminder: the underground is alive, thriving, and evolving in the hands of true artists who refuse to conform.

So plug in, press play, and let Scumbag Jazz: An Exercise in Spontaneity take you on a trip through the raw, uncut corridors of hip-hop’s underbelly. The Network has been notified—Shinobi Stalin is still at it, and the culture is better for it.

CopyWrite - Sorrow - Feat illogic - Video

Welcome back soldiers. The resistance is still alive and operative. Although Todays message is nearly a year old, All we want from you this holiday season is to finish the year on the right foot. We strongly suggest watching the Official Music Video to the Song "Sorrow" By CopyWrite and iLLogic.

Watch the video then look in the mirror and kill a few demons, Shake it off, hit the streets and destroy a few robots. Life is short and if we are not focused on our mission, time may end up being our worst enemy.

MutantEmcee.com is always going to support real Hip Hop and we all know Copywrite is a very talented lyricist. Most of us cringe when we hear local stations play music without soul. Radio Station do their job like working at a wherehouse factory. They push the button without even giving artists like Copywrite or iLLogic a chance. It is even harder to fatom our resentment when artists like Copywrite release music with postive or meaningful messages only to stand an even lesser chance of real radio play. 

If and when the resistance prevails we solemnly swear that we shall "lock ourselves in a room and congregate until we have a true farm system for discovering artists" just as the New York Yankees or Detroit Tigers use to find talented ball players. Lyricists with the talent of Copywrite need to be heard, even more so with the message are from the heart and real life expiernces.

If you dont who Copywrite is we suggest you clear you schedule and get your google on. Everyone else can can peep the video and catch the next update from Copywrite on his Facebook Page.

Now Playing Ricky Mena

Mutant Emcee Radio is now featuring the Bay Area Freshman of The year Ricky Mena.You can vote for him on Facebook at facebook.com/BayAreaFreshmen10 and follow him on Twitter @RickyMena22 for more updates. Get to know the very talented lyricist and peep his bio and video below.

Ricky Mena was born two months premature, while his mother was 10,000 feet in the air on a flight to Kentucky; In short, Ricky Mena was born to fly.

Although his birth place is Fort Knox, Kentucky, Ricky moved to Oakland, California at an age too young for him to remember. As a young child, Ricky fell in love with music. While still in diapers, Ricky would sit at his grandmother’s record player listening to old Beatles albums while wearing headphones bigger than his head. As Ricky grew older, he became addicted to the lyric aspect of music. Ricky began writing lyrics of his own at the age of 9 in the form of poetry, and by the age of 12 he began combining those poems with some of his favorite instrumentals. After recording his first song on cassette tape with just a tape recorder and mic, Ricky knew he would dedicate his life to his music.

At the age of 2 Ricky's family moved to Pittsburgh, California where he was heard by a local DJ by the name of, “Slammin Sam,” who introduced Ricky to, “Rappin 4’tay." Through their collaboration, Ricky was able to record his first professional song, “Get Ready,” at just 16 years of age. Just three years later, Ricky released his first album titled, “This is me.” His second album titled, “Warrior,” was released when Ricky was just 21 years old. Shortly thereafter, Ricky moved to Long Beach, California, where he focused his efforts on his success and “making it big.” Ricky successfully networked his music, and was able to create a mix tape titled, “Above and Beyond.” Since then he has been able to work with a number of notable artists, including. B-Real of Cypress Hill, Hood Surgeon (Dr. Dre’s son), Tekneek (Kurupt’s producer), Mellow Man Ace, and many more.

Currently, Ricky resides in the San Francisco Bay Area, where in 2010, he began booking a large number of live performances at local venues. Since doing so, he has seen both his fan base and his presence in the Bay Area’s music scene, grow significantly. Ricky’s fans know him as a hard working man, and respect his dedication to his music. Tired of working hard labor, Ricky feels the urgency to make his dreams a reality now more then ever. Ricky’s turn is now.

With a deep honesty, and raw form, Ricky is passionate, driven, and talented. Ricky’s music exhibits a profound depth not often found in mainstream Hip-Hop/Rap music today. His poetic flow is both inspiring and intoxicating. He speaks from the heart, and his energy is contagious.

Burger performing at the Vibe

The legend of Burger continues as the Mutant Emcee once again takes the stage. This time Burger headlines with other IE Legends Dirty Birdy, Triune and more. The event was appropriately tagged the IE ELITE ALUMNI and the event is sure to be well worth the $10 admission. The spring show will be held April 14th, 2012 as The Vibe will play host to yet another classic underground Hip Hop event.

The Inland Empire event is for adults 18 year and older. Alcohol will be served to those 21 years and older with a smoking patio for cigars and hookah. Doors open at 8pm and you will need to be early if you want to see or even participate in the MC Freestyle Battle. The Battle will feature a $100 prize for the champion of the evening and as usual it will be sure to entertain.

So don't miss your chance to see the Mutant Emcee and hip hop legend Burger in flesh with like mind emcees. If your on twitter follow the Burger Timeline and stay in touch with the veteran.

Dizaster vs DNA - Rap Battle

This is an nnstant classic. It might even be the battle of the year. After seeing just the first round from both emcee's we refused to change the channel. King Of The Dot has done it again. For the past few years KOTD has been one the premier battle leagues not only in Canada but holding a fair amount of respect around the globe KOTD is still on the rise.

This Battle features two Emcee's who both record and battle. Both have a long history and animosity toward each other and they each had ample amount of time to prepare for the vent. With shots at each others mother, fathers and friends this battle gets the adrenaline pumping. It's Amazing how many times, how man different ways these lyricists can say what they feel about one another. Pure entertainment.

If you didn't know the history of these two competitors your wouldn't have wait too long to get the idea of the how intense the Dizaster vs DNA rivalry has become. This battle quickly morphed into a special battle. It truly is a must see for real hip hop fans. Rap star Drake is even in attendance and even though he wasn't showing his skills, it was almost as nice to see him contributing to the real elements of Hip Hop. At first it was thought Drake was just a co-host but in fact, it was Drake who sponsored the battle between Dizaster vs DNA. In normal battle situation its a gamble between opponents, winner take the money. However in this uncommon scenario, Drake earned some Mutant Emcee crediablity when he put up his own $3,000 just to see these two squash the beef once and for all.

It's hard to imagine how one battle can squash a beef. In most situation one battle or even 5 battle wouldn't end the Rivalry, but remember, this battle is special. Watch the classic main event and drop your comments.. It's an hour long so get your popcorn and soda pop.

2012 Ras Kass

West Coast Emcee Ras Kass didn't have to make a comeback real heads know he never left. Fans across the globe stay wishing mainstream rap would commit suicide and allow more deserving emcee's like Ras Kass to get more shine. Overall the way a Mutant Emcee sees is.... Underground isn't so bad. After All, at least when you hear the name Ras Kass come up in Hip Hop conversation you know that cat who brought him up is a real head.

Ras Kass has been staying busy working on numerous projects for fans and you can find his new collaboration with Doc Hollywood called Spit No Evil all over the web including sites like DJ Booth.
Just last month Ras Kass released the official video to Hole In The Ozone and its sure fire for Mutant across the globe. It touches on the lyrically and creative mediocrity that is forced upon us from the radio powers that be. Its great to see that after all these years Ras Kass is still the same emcee he used to be.

Check out the video below, drop your feed back and show your support for the West Coast veteran and check out Ras Kass' brand new music page at http://raskass.bigcartel.com or follow him on Twitter.

Aquil + Yahzilla - Re-introduction

This is, For You Download www.mediafire.com/?kbrabb89lc8c1tz

You Already Know it's real hip hop if we are posting it on MutantEmcee.com and if you know know the artist called Yahzilla, know you do. Yahzilla has worked with some of the best, so it;s no surprise to us that he is slowly becoming one of the best. When it means as much to another emcee as it does for a local fan, you know you got a star. Yahzilla is that star. He shines on every track and after today it is going be hard for you to forget his name.

Today we feature a fresh to life video featuring the tag team alliance of Yahzilla and Aquil. The video to the song Re-introduction is a humble tiraid, Hip hop at it's finest. Lyrics are sharp like liquid swords and the beats is courtesy of 9th wonder.

Also be sure to download the Yahzilla Mixtape titled This is... For You for free courtesy of mediafire. For More updates Follow Yahzilla on Twitter and check out his blog.

Bizzle - Just Sayin

We are proud to introduce a true messenger.  This artist is the definition of keeping it real.  Here at MutantEmcee.com we take pride in introducing lyricists that deserve more recognition were just as much recognition as your mainstream artists. Lavyss aka Bizzle is one of those artists.

Bizzle is pure, unfiltered and one of the most honest rappers of all time. He is constantly shedding light on issues that need more attention. He delivers a message that needs to be heard and he does it with a stylish delivery most record labels drool over.

Check out his video below.  It is just a sample of the talent and good natured music coming from the West Coast native. Be sure to drop a comment if you like it. You can also follow Bizzle on twitter for more updates and subscribe to his youtube.

Big Wax - Need

This is an instant classic. It's very rare for a song or artist to come along with a complete originality and still manages to touch every type of fan. Grandpa's and Grannies all the way down to the pre-teens, everyone will get a kick out of this video. The concept "Need" was masterfully thrust into the instrumental canvas and the artist known as Wax should have a #1 hit. We say should because we all know how screwed up the industry is but the gut feeling is that whether the song reaches #1 on the charts or not, it is still an instant classic.

Unheard of in the realm of Mutant Emcee, Wax is quickly turning heads and making fans. Soon the name should be well known across the globe and we can only hope that Wax continues to release material with such creativity, yet so meaningful. In an economy so bad, Wax touches on our relentless need for what is sometimes meaningless. Mc Ribs from Mc Donald's, Kim Kardashian's love life and everything else that is really unhealthy and unproductive but somehow became a need of our society became the focal point of Wax's lyrical tirade. To make a long story short, the video is like a comical slap in the face at a crank type pace.

The video is a must see, The song is a must have and if you must... you can follow the man known as Big Wax on Twitter and Facebook. Check out the video below and drop your comments.

Jeremiah Davinchi - Freestyle Video

Jeremiah Davinchi is an very gifted lyricist coming out of the Bronx. You can preview his tunes on his music page on SongCast and you can follow him on Twitter. Here is his most recent freestyle video and the lyrics to correspond. Check him and give hime some feedback.




i wrote this on a note pad this niggas so bad ill have the beat toe tagged///i hope that u like real hiphop or go back to that little b shit fuck u kick rocks/// its alfred hitchcock scaring u makin this shit bounce lyrical gymnastics check my dismount//make this shit count///riding on a storm cloud cursing outloud with a potty month///the east coast is back but im like the dirty south with a nasty flow make your girly bounce///u got a dirty house time to clean up these mean fucks that got hiphop all fucked up///cause theyre rhymes sucks like hookers when the rents up thugs online but in front of em they tense up///like campers got there tents up///im from bronx got my x up this beat getting sexed up//its just luck that u aint wet up riding around poppin all that bullshit like bulls with bubble gum//im troublesome///jermemiahs back with a another one spittin so hard i might cough up a lung///murder backwards call it red rum drunk off of red rum and these mean drum might heat somethin///the beats nothin//i got go off acceppla take off like a helecopter u get cought in the preppelles///they jealous how the fellas are saying im the bestest rapper they ever heard since b.i.g left us///these aint raps these are murder weopons might catch a court case at the next open mic cops are restless//wanting to arrest us for hard rhymes surving hard time for mc homicide///spit sianide and red dyn number five who am i the black christ back to get crusified///for spittin sharp lines in jeruselum hit like aluminum bats while im provin em wrong and doing em wrong the gunsmoke and the fog captin wrote in his log that jeremiahs the bomb!!